Just attempting to make a small list of any large field of film will immediately invoke dissatisfaction. It doesn't matter if you cloak it in your own personal favorites, or try to narrow it down to a specific theme. Someone, somewhere will say you're missing X, or have forgotten Y. I get that, and I try not to be one of those people when I scoff at lists I don't agree with.

But sometimes it's just inevitable, especially when the lists talk about super-loved geek fare or cult favorites. Both have die-hard fans, and when it comes to the cult genre, it's fans who adore and fight for a film without having met seas of marketing and press. The movie itself is what inspires the cult following, rising the film from the forgotten piles of dust and into the never-forgotten ranks of cult infamy.

So I have to say, I'm pretty darned surprised at Entertainment Weekly's The Cult 25: The Essential Left-Field Movie Hits Since '83. (It's pretty much this list, without the older films.) At the very least, they narrowed the time frame down, but as soon as I saw "essential," I knew there would be holes, and strangely placed films.

By chance, two Takashi Miike movies, Dead or Alive and Audition, opened in my town with in a week of one another in 2001. It was pretty eye opening seeing the huge difference between them, the speedy carnage of the former and the slow suspense of the latter, and I became an instant fan. Since then I've managed to track down just six more Miike movies, and in that same time he has made over forty (including videos and TV shows). The speed of his production fits perfectly with the personality of his movies. They're often nonsensical; I couldn't make heads or tails of two of his more recent pictures, Gozu and The Great Yokai War. And they're very definitely energetic, verging on crazy. He reminds me of the great German director Rainer Werner Fassbinder, who cranked out over 40 movies and TV shows in less than 15 years and died at the age of 37. Miike is now 48 and one wonders how much longer he can keep going before he combusts.

Miike's new movie, Sukiyaki Western Django, finds him making a slight change of pace. No, the movie is still crazy and fast and nearly unintelligible, but he has stopped for a moment to consider the work of other filmmakers. The movie is a tribute to Spaghetti Westerns, and especially Sergio Leone's A Fistful of Dollars (1964), which in turn was based on Akira Kurosawa's Yojimbo (1961). Remember Bono's taunt at the beginning of U2's cover version of "Helter Skelter"? ("This song Charles Manson stole from the Beatles. We're stealing it back.") This movie feels as if Miike is doing some stealing back of his own.

It's not too hard to find some super-sympathetic villains right now. You can travel the Internet waves and check out Dr. Horrible, or head to toon town and watch The Monarch and the other Guild of Calamitous Intent members in Venture Brothers. You can see dudes sending in applications to the evil organizations, bad guys storm the wrong building, and even crappy reassignments that suck one's loathing hatred out of their job. These incarnations are great, addictive pieces of fun.

Could the same be said of Ben Stiller's forays into the fold? (*cough* Mystery Men) Not really. But would it help with Robert Downey Jr. and Tina Fey? Entertainment Weekly posts that both actors are looking into joining Stiller's animated villain film, Master Mind. (Christopher blogged about it here, last year.) The premise is simple. A villain accidentally kills the guy he's arching, and loses his will to live.

Having these two voices certainly sweetens the pot, but as we've learned after many years of disappointment -- amazing casts don't necessarily make even decent movies. It all comes down to the script (written by Alan Schoolcraft and Brent Simons), and Stiller's involvement. We'll have to wait and see.

Note: EW says that Cameron Hood and Kyle Jefferson are still on to direct, but Moviehole talked to a Dreamworks source who said that they left the project months ago. IMDb, meanwhile, says it's Gary Trousdale.

*Warning: Clip contains foul language.*

Only nine years ago, Ron Livingston played the young, fax machine-stealing, disgruntled worker Peter Gibbons in Office Space. Whoever would've thought that less than a decade later, he'd head back to the office to be an aging businessman. Man, Hollywood is tough on age.

Variety reports the Livingston will lead an indie comedy called The Company Men, that Raul Sanchez will direct from his own screenplay. As the star, Ron gets to be "an aging businessman who struggles with a collapsing economy as he tries to save a sinking company." I guess the over-the-hill moniker sticks (Livingston is 41). It'll be interesting to see how this lives up to the cult favorite, and fan expectations. But really, the big question is: Will he use a red Swingline stapler?

Meanwhile, Livingston has a co-starring gig in The Time Traveler's Wife, which hits screens on Christmas Day.

The unthinkable has happened -- Steve Coogan treaded on William Shakespeare's grave and created the super-saucy Hamlet 2. But as the film continues to expand its screening reach, I thought I'd go back in time -- way, way back in time, beyond many of the Hamlet films that have graced our Shakespeare-insatiable eyes.

The above film was not meant to be a comedy, but you have got to see the silent version of Hamlet above. The music alone is peppy enough for a dance, and I keep expecting some comedy troupe to pop up and wreak havoc in the scene. But this is the ghost scene from the silent, 1913 adaptation, so it's serious. Really.

Personally, I just love the part where the ghost pops up. Special effects have come a long way, eh? And for all of those actors these days who talk about the struggles of acting when a special effects character isn't in the room -- pshaw, these guys were doing it long ago.

You think Hilary Swank would have learned her lesson after finding deep love that died way too early and left her with a suspenders scar. You'd also think she might be wary about her involvement in perky fare, since her forays into the genre haven't brought her as much success as her dramatic work. Guess not.

Swank is going nuts scooping up projects to produce and star in. Earlier this month, she was looking at Fat, and now Variety reports that she wants to backstab her best friend. Along with producing partner Molly Smith she's grabbed Emily Giffin's debut novel, Something Borrowed. Instead of borrowing, say, a hairbrush, she's stealing her friend's man. This potential starring vehicle for the actress focuses on a "Manhattan attorney who becomes involved with her best friend's fiance following her 30th birthday." Yes, her best friend since elementary school. Oh, but before you think she's the only jerk -- the woman realizes she's in love with the man and sick of her manipulative friend. Wait. That's still jerky.

The project is out to writers, and Swank has already practiced one unhappy-lookin face (look to the upper right).

Here are some news bites for our long weekend:

• Ashley Greene has had a whirlwind of press lately, once she signed on to play Alice Cullen in Twilight. Now The Hollywood Reporter posts that she's signed onto an indie thriller called Summer. In it, she'll get another horror-themed family, but much less sexy than well-coifed, blood-sucking vampires. See, she plays a girl looking for the "father she's never known." And while that's always a risky adventure -- you never know what you'll find -- this is even more so because her family is a group of serial killers. The film is currently in production in Ottawa.
• Meanwhile, Variety reports that CMG has closed deals for Iron Maiden singer Bruce Dickinson's Chemical Wedding. Starz/Anchor Bay are handing distribution in North America for the film that focuses on "the most evil man in Britain," Aleister Crowley. CMG President Edward Noeltner has noted about the big, Iron Maiden fan base eager to see the film, and I have to say -- I'd go see it for the experience. Forget a woman-filled theater of Sex and the City fans. Can you imagine a theater full of Maiden worshippers?
• And finally, there's some great news for Todd Solondz. As I outlined at the beginning of this year, the indie filmmaker has had some issues funding his work, which was leaving his PeeWee Herman-led Life During Wartime in limbo. But now Variety reports that a new indie production company, Werc Werk Works (yes, that's their name..), will fully finance the part-companion piece to Happiness. On the negative side, it looks like Mr. Reubens might be out of the production. (Variety says he was only rumored.) Whoever ends up starring, it is scheduled to go into production in October.

To me Coco Chanel is the woman responsible for my grandmother's smell -- the regal Chanel No. 5. To others she's the woman who created the suit unfortunately immortalized by the assassination of John F. Kennedy. And to the younger crowd, she'll soon be that movie character performed by Audrey Tautou in Coco Avant Chanel.

The Amelie actress signed on to the film last year, but then all news stopped and it looked like Coco was going to be stuck in development hell, or at least have to wait a while longer. Now Variety reports that Warner Brothers has signed on to finance the feature and have got a plan all set. Production will start on September 15 in Paris, and should hit screens next year.

The film will still be directed by Anne Fontaine, from the script by Anne, Camille Fontaine, and script consultant Christopher Hampton. Instead of spanning the woman's long and successful life, Tautou will get to delight in Coco's early years. And for you fashion fans out there -- Karl Lagerfeld, the art director of the House of Chanel, is supervising the wardrobe.

And I thought that Star Trek apartment was pretty insane. Our fellow Weblogs site Green Daily has posted about a fully-functional Hobbit house. Talk about uber fandom. I mean, it would've been a feat to just replicate a Hobbit house, but to make it an actual home? That's super-cool and environmentally friendly dedication.

It seems that Wales resident Simon Dale wanted his family to live greener lifestyles and be closer to nature. What else is there to do but envelope yourself in bright green moss, and every little bit of nature? The new home is made from mud and rocks found right there. Solar panels store juice for computers and other electrical needs. Underground air keeps the fridge cool. Water is run, by gravity, from a nearby spring. Their loo contains a compost toilet. And it's damn beautiful inside. Check out the house's details here.

Methinks Guillermo should get this guy to help with the new film. How cool would it be if they just made a real community of Hobbit homes for future residents, rather than making sets to strike down and waste?

Team Picture trailer


Just last week I received the latest release from the critic-led Benten Films -- Kentucker Audley's mumblecore film Team Picture, which comes out on DVD today. Imagine a Slacker sort of world with everyday life and a collection of varied people, but without the rolling conversation of UFOs and Like a Virgin pap smears.

Audley's style is to show a more realistic life without the allure of stars or irresistably charismatic actors. He leads the film as a slacker musician who really encapsulates the ideas of slackerdom in every area of life -- indifferent to his girlfriend's unhappiness, the need for a future path, and even the quirks of his roommate. While not for moviegoers looking for a fast-paced, tightly written story, Team Picture does have some charm as a sort of dead-pan voyeuristic look into modern slackers. Check out the video above to see what I mean.

The DVD has a commentary, a new epilogue, a short film, music performances, deleted scenes, trailer, and an essay by Nick Dawson.

While it stars some great names in the world of film, we haven't heard too much about Easy Virtue. But now, as it gears up for that spanky Canadian festival known as TIFF, CinEmpire has published a whole slew of pictures -- a retro Jessica Biel, Colin Firth, Ben Barnes, Kristin Scott Thomas, and more.

The film focuses on an American divorcee (Biel) who has to meet the parents (but hopefully without the cat milking). But unlike Stiller's version, she's already tied the knot with a sexy young Englishman (Barnes), so Mom (Scott Thomas) and Dad (Firth) can't stop the wedding. But I'm sure there'll be lots of dirty looks, and more than one smirk, like the one above.

Virtue is yet another romcom, but at least it heads back in time a little, and originally comes from a Noel Coward play that Alfred Hitchcock adapted years ago as a dramatic silent film. Good or bad, we'll find out soon enough.

[via The Bad and Ugly]

Yeah, okay. So this isn't the first Fan Made post about carbonite. Erik has already shared George Lucas frozen in the tough stuff, but this new Fan Made is a whole lot tastier (I presume). I mean, George could be a conversation starter and all, but it's also a little bit scary, I imagine very pricey, and you can't eat it.
But you can eat the above.Today a friend sent me a link to Michele's Confectionary Delights, where I found the super-awesome cake above. While it's not a spitting image of Han Solo, I just love this cake -- it's a good example of a little ingenuity trumping over exact replicas. That being said, I can't imagine how hard it would be to cut into the sucker -- not because it's covered in carbonite, but because it looks so darned good.

Have any of you ever received a cake so cool? Maybe if you live near that Ace of Cakes dude...

[via Boing Boing]

It's been almost two years since I first wrote about The Loss of a Teardrop Diamond. The forgotten Tennessee Williams screenplay started cooking up in November 2006, with a stellar cast of Ellen Burstyn, David Strathairn, Ann-Margret, Chris Evans, and ... Lindsay Lohan? This was, however, before her personal demons took center stage and made a complete mess of her career. Bryce Dallas Howard starting circling the project in 2007, and now, finally, you can get a peek of her in the film above (courtesy of Rope of Silicon).

Can you imagine Lohan up there? Methinks her struggles will be a blessing for the film, which centers on Fisher Willow (Howard) -- a 1920s debutant who makes waves because of her "distaste for narrow-minded people and a penchant for shocking and insulting those around her." When she falls for a lower-class young man (Evans), she has to trick her family into thinking that he's upper class. But when she loses a diamond (like the title suggests), you can imagine what happens.

The film will finally begin to hit our eager eyes at TIFF next month.

Tropic Thunder held onto the top spot for two weeks in a row, followed by The House Bunny and Death Race. Last week's two other newbies The Longshots and The Rocker took the number 10 and 13th spots respectively. Here's what the top five looked like:

1. Tropic Thunder: $16.2 million
2. The House Bunny: $14.5 million
3. Death Race: $12.6 million
4. The Dark Knight: $10.5 million
5. Star Wars: The Clone Wars: $5.6 million

Babylon A.D.
What's It All About: Vin Diesel stars in this futuristic actioner as a bodyguard charged with delivering a young woman from Russia to the U.S. Little does he realize that she is hosting an organism that a cult hopes to use to create a new messiah.
Why It Might Do Well: While not on a par with this Summer's biggest flicks, Babylon A.D. represents the last gasp of the season's eye candy movies and it's getting a really wide release.
Why It Might Not Do Well: Those thinking this might be a big screen version of Babylon 5 may be in for a disappointment. Also, with five reviews in, Rottentomatoes.com is giving this 0% rotten as of this writing.
Number of Theaters: 3,200
Prediction: $23 million

College
What's It All About: Drake Bell from Nikolodeon's Drake and Josh plays one of several high school kids on a college visit looking to party. Hijinks and projectile vomiting ensue.
Why It Might Do Well: Someone must feel nostalgic for those bowl-hugging college days.
Why It Might Not Do Well: Because part of me wants to believe there is justice in the universe.
Number of Theaters: 2,000
Prediction: $5 million

Disaster Movie
What's It All About: Jason Friedberg and Aaron Seltzer, the writer/director team behind Meet the Spartans, Epic Movie and the Scary Movie franchise go to the well once again with a flick that parodies disaster movies, super hero flicks and various pop culture icons.
Why It Might Do Well: Like them or not, Friedberg and Seltzer's movies tend to make a respectable if not stellar profit.
Why It Might Not Do Well: Maybe the public has had enough of these things. I can dream, can't I?
Number of Theaters: 2,500
Prediction: $11 million

Traitor
(opens Wednesday)
What's It All About: Don Cheadle stars in this tale of international intrigue as a deep cover CIA agent under investigation by the FBI as a possible terrorist.
Why It Might Do Well: In addition to Cheadle the impressive cast includes Guy Pearce and Jeff Daniels.
Why It Might Not Do Well: Fresh off the Summer blockbuster season, will audiences want a film about such weighty matters?
Number of Theaters: 2,054
Prediction: $9 million

Box office predictions become a much wilder and woolier proposition once blockbuster season ends, making it all the more exciting if you ask me. Here's what I think next week's top five will be:
1. Babylon A.D.
2. Disaster Movie
3. Traitor
4. Tropic Thunder
5. Death Race

Last week's top five took us all by surprise. Most didn't think Tropic Thunder would take another week at number one, and many expected The Rocker to do better. Here's how we all did:
1. LostinaFog: 7
2. I Eat Robots: 6
2. Romel: 6
2. Smiggy: 6
2. Victor de la torre: 6
2. Mike: 6
2. Adam P: 6
2. Vera: 6
3. Matt: 4
3. Chris: 4
3. Alex: 4
3. Liz: 4
3. Vega: 4
3. Zctop: 4
3. NP: 4
3. Ray: 4
3. VP: 4
3. AJ Wiley: 4
3. Greatone: 4

Post your predictions for the top five movies in the comments section below before 5:00PM Eastern Time on Friday. One point for every top five movie correctly named, two points for every correct placement, and one extra point for the top movie.

Can everyone guess where I am right now, and what I'm doing? I'm very thankful that the New Orleans airport has free wireless available while I wait for an airplane crew to show up for my flight, so I can return to sunny Austin. In the meantime, I have a laptop and Internet access and a stack of DVDs to watch. I am prepared. I can watch movies indefinitely if necessary, especially if I can get Hulu or Netflix's Watch Instantly cranked up.

I have a few suggestions for packing / purchasing / (legally) downloading movies to watch on your laptop or other device in an airport or on a plane. Pick at least one or two movies that are old familiar favorites. Sometimes when you're stuck in a terminal with poor food choices, a "comfort movie" can be your very best friend. In addition, I find it difficult to listen clearly to movies on an airplane or even in a noisy terminal (you don't want the sound too loud, so you can hear updates on your flight's delay), so it's best to pick something where you already know what's going on and don't need to catch every last nuance of dialogue. Big goofy action films and physical comedies have an advantage over talkier films where you have to pay attention.

In compiling this list of specific recommendations, I tried to avoid the overwhelmingly obvious choices for watching movies in airports -- personally, I don't want to watch disaster films at times like this, or even spoofs of disaster films like that timeless comedy Airplane. The Terminal and Snakes on a Plane also a little too close for comfort. I thought instead of lighter fare, with scenes that emphasized the fantasy world of airline travel, good or bad, and the magic of escapism. Next time, I'm tucking a few of these in my laptop bag myself.