Somehow I missed this on Thursday, but apparently so did everyone else, since I didn't see it linked anywhere. Roger Ebert was hanging out at a post-production studio in Chicago, watching the restored new print of The Godfather, when he was unexpectedly joined by Larry and Andy Wachowski, the famously inaccessible duo behind The Matrix, Speed Racer, and (people forget) Bound. Afterward, he got a chance to chat with them -- not in a conventional interview setting, complete with a hovering publicist (the brothers don't do that, remember?), but over a beer.
Ebert was impressed with the "zillionaires": "Nice people. Friendly. No Hollywood attitude." He writes that "[t]he blogosphere paints them as mysterious recluses, which may add to the legend but doesn't match the reality." But their being nice and friendly doesn't make them any less mysterious and reclusive: I'd wager that Ebert only ran the piece because of their reputation for not giving interviews or talking to anyone in the press.
Anyway, it's really interesting to "hear" them speak, though they mostly talk about the difficulties of keeping a moving 35 mm shot in focus and the brilliance of Coppola's Godfather shot selection. It's funny how keeping silent for a while will make such brief, mundane snippets into objects of arcane fascination. (Though since I think the Wachowskis are pretty formidable visual artists themselves, I find their perspective on that sort of thing interesting in its own right.)
No photo, of course; all you get is that old shot of the two admiring a Matrix comic book.
There's a slew of new releases hitting shelves this week. Some are flashy, some are sweet, and some you should be ashamed if you spend your hard-earned money on them. As Peter said last week, we're still working out kinks in the new format, so weigh in below with your thoughts.
MAIN PICKS AND MISSES Speed Racer (Pick) Made of Honor (Miss) The Love Guru (Miss) The Babysitters (Miss)
INDIES ON DVD Young@Heart, Finding Amanda, Harold, Snow Angels
BLU-RAY Speed Racer, Hulk (2003), The Mist
COLLECTOR'S CORNER High School Flashback Collection, Risky Business Deluxe Edition, and more!
What do you do after Speed Racer fails to bring in the Matrix-like crowds of fan freaks, auto nuts and Ricci stalkers? Well, apparently, if you're the Wachowski siblings, you reunite with Keanu Reeves and bring Plastic Man to the big screen. According to CHUD (who received a tip they're skeptical on, so take this all with a grain of salt), a scooper from Berlin says Joel Silver announced the aforementioned news during an interview on German radio. Now since the Wachowskis had already written a Plastic Man script prior to their Matrix films, that's becoming the foundation for what we imagine will be a hot-to-trot PG-13 flick featuring Keanu Reeves saying "Whoa" every time his arms or legs stretch out. "Whoa, my arms are like plastic. Whoa."
This certainly seems like the logical place to go for the Wachowski individuals, especially since it's a comic property (hot), a script is already written (even hotter) and they can market the whole Matrix reunion with Reeves (hotter than the hottest hot you've even touched). Personally, I'm not a big fan of Reeves and I don't think he has the personality to play someone like Plastic Man, but maybe he'll have fun with it, we'll have fun with it and they'll make seven sequels. Joel Silver will be at Comic Con next week, so if nothing is announced before then, look for several folks to hound him until the man gives.
Apparently teens have short attention spans, evidenced by this year's nominees for the 2008 Teen Choice Awards, which were announced this morning. Looking at the first two movie categories, Best Action Adventure Movie and Best Actor: Action Adventure, all the contenders (including Iron Man, Indiana Jones and the Kingdom of the Crystal Skulland The Forbidden Kingdom) are from either May or late April of this year. I guess this summer's other movies, like The Dark Knight, The Incredible Hulkand Hancockwill just be ignored, since they're too late for this year and won't be remembered next year.
Another related thing that was revealed: actresses were not too prominent in action movies of that same period, because the category for Best Actress: Action Adventure looks back a little farther to Abigail Breslin in Nim's Island, Rachel Bilson in Jumper and (whoah, December? that was so long ago) Diane Kruger in National Treasure: Book of Secrets.
After the disappointing box office of both Speed Racer and The Chronicles of Narnia: Prince Caspianlast month, it's apparent that May was too busy a month for all its blockbusters to succeed. Last week, Eric D. Snider initiated a discussion about Caspian's release date and many of our readers agreed that it should have been released in December, or any other month, for that matter. Couldn't it have been a success in February or October, too? As part of an initially popular franchise, you'd think it could stand to be released anytime of the year.
Earlier today, I responded to an interview in which two cinema industry honchos argued that big movies should be released 12 months in the year. Or, at least, the summer movie season should begin earlier, in April. Imagine, the first blockbuster of the year being released on Easter weekend. Or, when Easter is in March, April Fool's Day weekend. Unfortunately, the month doesn't have any Monday holidays with which to capitalize on a three-day-weekend release, but a two-day weekend didn't seem to hurt Iron Man's enormous opening.
One commenter on my earlier post noted that moving the summer season up to April will only make that month the busiest release month, just as May is currently. But there's a good chance Hollywood will recognize, after May 2008, the benefits of staying spread out. Plus, Memorial Day weekend will continue to be prime real estate, so tentpoles might be better spread out, as they should be according to their name (imagine going camping and placing all your literal tentpoles in one corner).
What do you think? Should the summer movie season begin earlier? Or is it just fine as is? Or did you think it actually began on April 18 with the release of the fantasy martial arts flick The Forbidden Kingdom?
Ever since the numbers were released yesterday, anyone and everyone (as well as anyone who is everyone) has been talking Speed Racer -- specifically, how a $120 million Hollywood blockbuster could open with only $20 million at the box office. You can blame Iron Man, you can blame the marketing, you can blame the blogs for trashing the film all year long, you can blame Christina Ricci's weird haircut, or you can blame that judge on Project Runway for saying, "You can never have too much color!" Fact is, it missed the mark.
But what could've helped Speed Racer make more money in its opening weekend? The running time has been mentioned a lot in the past 24 hours, but a running time doesn't exactly woo audiences into the theater. Is the film's marketing 100% to blame? Should the trailers have been cut differently? Should they have stressed that this was a film for kids? Should they have added a little viral action into the mix? Or what about overall? From the beginning, were the Wachowski Brothers the right folks for the job? Should they have gone the animated route instead -- or maybe the animated 3-D route? Should they have made this a film for older kids; slap on a PG-13 rating?
In your opinion, what could've helped Speed Racer -- both in its opening weekend and in its development as a feature film?
According to early estimates from Box Office Mojo, this summer's second big-budgeted extravaganza failed to pick up more than $20 million at the box office this weekend, with the poorly-reviewed comedy What Happens in Vegasfinishing right behind in third. Of course,Iron Man took the top spot for a second week in a row with roughly $50 million, while Speed Racer -- which some projected to take home at least $30-40 million -- came in second with $20.2 million, as What Happens in Vegas slid into third with $20 million. Rounding out the top five were Made of Honor ($7.6 million) and Baby Mama ($5.7 million).
So what happened to Speed Racer? Part of the reason had to do with its targeted audience, which, supposedly, was kids, though kids weren't very familiar with the cartoon the film was based on. That, and the flick clocked in at over two hours -- a running time that's been mentioned a lot this weekend, as well as one that's way too long for a PG-rated kiddie adventure. That said, its PG-rating scared away those adults who grew up with the cartoon; people who, most likely, were looking for something a bit more skewed toward adults (especially when Iron Man came out the weekend before and kicked a whole lot of ass). Nevertheless, I'm pretty sure we can rule out that Speed Racer franchise at this point.
Coupla questions for ya: Why do you think Speed Racer failed to power across the finish line in spectacular fashion? Also, what happens to the Wachowski Brothers now? Will folks think twice before giving them $150 million and free reign?
Kids rule the multiplex. That's why they're the most targeted audience and the most targeted consumers as far as Hollywood and concession suppliers are respectively concerned. But where would the kids be without their parents? Perhaps they'd still be watching movies, but maybe not at the cinema. To see a movie at the multiplex, they need a ride from their mom, or they require the companionship of their blockbuster-loving dad. Sure, things may be a little different today, but my experience of being a moviegoing child entailed a lot of assistance and encouragement from my mom and dad.
It's hard to decide which parent had greater influence on my cinephilia, especially since I only recently recognized my mother's contributions. My father was the one who usually took my brothers and me to the movies every other weekend, and each time we stayed with him we seemed to rent more videos than could be watched in a 48-hour period. Meanwhile my mother let us watch cable, including as much R-rated fare as HBO would broadcast. At a very, very young age I was already familiar with a lot of horror, violence, swearing, nudity and other "restricted" content that the MPAA was only OK with me seeing if it was OK with my "accompanying parent or adult guardian."
There's been much buzzing around the Cinematical virtual office over the past few days about Speed Racer. James pretty much liked it (for a kids' movie), Scott pretty much hated it, and Eugene seems, well, a bit disappointed. We just got back from taking the crew to see Speed Racer.
Last week at the same time, we were at Iron Man, and the theater was almost completely packed, with only front row seats left by the time the previews started. This week, same time, exact same theater, even, and there were maybe 20 people total. And I have to say, if the Wachowskis are aiming for the kiddie market with this film, as many seem to think, I think they've largely missed their mark. Aside from the largely empty matinee theater, there were a couple of signs during the screening that this movie wasn't playing well to the kiddie set.
Welcome back to another edition of Insert Caption -- the game where, in order to play, you need to really hate snakes. Hate 'em! Last week we asked you to write funny captions for a photo from Speed Racer, which hits theaters with a whole lotta color this weekend. Congrats to Anthony M. for painting a very bizarre, yet hilarious picture in our heads. (We still love ya BK!)
1. "Reasons To Burn Rubber (#5): Family-operated Burger King drive through. Fast. Hot. Creepy." -- Anthony M.
3. "Just keep your hands at 10 and 2, buckle your seatbelt, and are you sure you don't want to put some clothes on?" -- Nathan T. See full image and all captions
This week, well, you may know this guy from somewhere. Can't place the face? Here, we'll help -- it starts with an 'Indiana' and ends with a 'Jones'. Put it together and you have one of this summer's most anticipated films -- not to mention we've been looking forward to this sequel for the past 20 years. But before Indiana Jones and the Kingdom of the Crystal Skull hits theaters on May 22, you're going to want to get reacquainted with an old friend -- and that's where we come in: The winners of our three favorite captions will take home one Indiana Jones The Adventure Collection DVD boxed set, which includes: Raiders of the Lost Ark,The Temple of Doom & The Last Crusade. That's it to the right; ain't it purty? (Click to enlarge.) In honor of our friend Indy, it's now time for you to start whippin' out those captions! Sound off below ...
At the Long Beach Grand Prix, the roar of high-powered race car engines fills the air, a deep bass thrum cutting through the smell of exhaust in the early summer heat. Tens of thousands of race fans have gathered to take in the metal-and-rubber reality of racing, but in the Long Beach Convention Center, a small group of journalists have gathered to talk about a big-screen fantasy vision of the spectacle roaring around us, Cinematical was there to speak with the people behind Speed Racer: Emile Hirsch, Christina Ricci and Matthew Fox, as well as producer Joel Silver.
Emile Hirsch, relaxed and fairly amused, is asked about embodying a classic character. "It's pretty cool." He laughs; "I was a very big fan of the show growing up ... I would just watch it every morning with cereal ... sometimes soda in the cereal. ..." I then asked Hirsch if, after reading the script, he was worried about being Mark Hamill to Matthew Fox's Harrison Ford, that Speed would be out-cooled by Racer X. "Well, now I am ..." The rest of the sentence is unprintable, but Hirsch then mocked Fox's masked mystery man and spoke sincerely about Speed's virtues: "Yeah, (Racer X) is so cool ... No, no, no; Speed's got the nobility; Speed does the right thing; Speed is ... Speed's cool."
I'm very pleased that my Cinematical colleague James Rocchi both enjoyed Speed Racer and published his review before mine, and here's why: I couldn't wait for the damn thing to end. This garish, aimless film wore out its welcome (and its crayon box) after about 25 minutes, but the cinematic eyesore just kept lumbering on for two full hours. I know it's tough to keep kids still in a movie theater even when they like the movie they're watching, so I can only imagine what parents will be dealing with as Speed Racer's merciless stretches of blah-blah-blah hit the screen. Aside from three or four mega-flashy racing sequences, Speed Racer feels like the pilot episode of a Fox TV series called The Generic Family from Plastic World.
A young man named "Speed Racer" grows up to become a hot-shot car racer (imagine that), but when he refuses to sign with an evil tycoon, it kick-starts a third-act conflict that can only be solved by ... car racing! There's the whole of your plot in a nutshell, but I've left out the resoundingly clumsy flashback structure, the nominally interesting but ultimately pointless side characters, and several absurdly "emotional" moments that might have made an impact if they didn't occur on sets made entirely of bright pink styrofoam and glitter. There's also an allegedly mysterious character called Racer X, a button-cute and entirely superfluous girlfriend character, and (wedged in clumsily whenever things get dull) a mischievous little kid and his monkey sidekick.
If you're still trying to decide whether you want to go to see Speed Racer tonight, maybe this will help your decision. Yahoo has posted the first seven minutes of the film, which you can check out above. Man, if car races looked half that cool, I'd be a total fan.
I know, some of you aren't getting the whole appeal of this flick, and frankly, I've never been interested in the story until this movie. There's just something about a real-life cartoon that looks all sorts of cool. (I've always wondered what a cartoon-turned-live action film would look like if it was created in a more cartoonish manner.) And major props for making the theme song front and center. I remember how ticked I was when I left during the credits of Spider-Man and missed the theme song I had waited the whole film for.
Check out James' review of the film here, and stay tuned for Scott's review at 11:30AM.
Whether or not shows like Aqua Teen Hunger Force or The Simpsons succeeded in translating their television dynamics to the big screen depends on your point of view, but the release of Speed Racerthis weekend raises a more specific question about the viability of turning an animated series into a live action spectacle on the big screen. The Adventures of Rocky and Bullwinkleand Underdog both suggest how this goal can go wrong -- namely, by imploding on its absurd conceits. You may disagree with the inclusion of some of the following titles, all of which culled their material from animation, but it's fair to say that each of them takes its subject matter at face value, allowing the natural ingredients of the original sources to remain intact. Well, maybe not Super Mario Bros., but that one is a special case (fire away, if you must). Until somebody makes an Animaniacs movie with real actors, I'm sticking to this list.
Robert Altman's offbeat ode to the famous Fleisher cartoon starring the spinach-eating strongman and his darling Olive Oil is the great misunderstood work of the director's career. Robin Williams and Shelley Duvall manage to bring utterly ridiculous characters into a realm of believability that you could never imagine when watching the show. Suddenly, Popeye made sense -- goofy, almost surreal sense, but sense nonetheless -- in the real world. Thanks to veteran adult cartoonist Jules Feiffer's screenplay and a soundtrack so catchy Paul Thomas Anderson borrowed from it twenty years later in Punch-Drunk Love, the classic status of Popeye can't be denied.
I knew I was being a little conservative on my $62 million prediction for Iron Man, but HOLY JEEZ! The comic book adaptation had the tenth highest opening weekend in history, and the second biggest for a non-sequel. In addition to the $98.6 million Marvel's armored avenger made domestically, he also pulled in $96.8 million overseas, putting the $140 million budgeted film comfortably into the black. Last week's other newbie Made of Honor took second with a comparatively reserved but still respectable $14.7 million. Here's the rundown: 1. Iron Man:$98.6 million 2. Made of Honor: $14.7 million 3. Baby Mama: $10 million 4. Harold and Kumar Escape from Guantanamo Bay:$6.1 million 5. Forgetting Sarah Marshall: $6 million
Again, just two new ones this week: Speed Racer What's It All About: Andy and Larry Wachowski, the team behind the Matrix trilogy, adapt the classic 60's anime Speed Racer using a visual style reminiscent of Japanese animation melded with a modern video game aesthetic. Why It Might Do Well: The trailer was amazing, and Cinematical's own James Rocchi describes the film as "a blast of pure pop family fun" in his review, which you can read right here. Why It Might Not Do Well: The 40% rating on Rottentomatoes.com suggests this one may have trouble knocking Iron Man out of first place. Number of Theaters: 3,600 Prediction: $43 million
Somehow I missed this on Thursday, but apparently so did everyone else, since I didn't see it linked anywhere. Roger Ebert was hanging out at a post-production studio in Chicago, watching the restored new print of The Godfather, when he was unexpectedly joined by Larry and Andy Wachowski, the famously inaccessible duo behind The Matrix, Speed Racer, and (people forget) Bound. Afterward, he got a chance to chat with them -- not in a conventional interview setting, complete with a hovering publicist (the brothers don't do that, remember?), but over a beer. 
.jpg)
What do you do after Speed Racer fails to bring in the Matrix-like crowds of fan freaks, auto nuts and Ricci stalkers? Well, apparently, if you're the 
Apparently teens have short attention spans, evidenced by this year's nominees for the 2008 Teen Choice Awards, which 
After the disappointing box office of both -(2).jpg)
.jpg)
There's been much buzzing around the Cinematical virtual office over the past few days about Speed Racer. 
1. "Reasons To Burn Rubber (#5): Family-operated Burger King drive through. Fast. Hot. Creepy." -- Anthony M.
.jpg)
Speed Racer
